The ambient, cinematic darkness that the collective creates evokes a powerful atmosphere that will excite superfans & new audiences alike. Alex Lifeson & Andy Curran’s long-time friendship was the catalyst for the band’s inception - but Envy Of None is not defined by its members resumes - they aren’t Rush or Coney Hatch & far more than the sum of its collective parts.
Above the beautiful cacophony of guitars, synths, bass & drums sits the fragile melodies of 24-year-old vocalist Maiah Wynne - the newest name in Envy Of None’s impressive personnel. Hearing Mariah’s voice intertwined with the music will bring back memories of when you heard Shirley Manson of ‘Garbage’ or Amy Lee of ‘Evanescence’ for the first time. Wynne brings charm & beauty to these recordings in spades - with floating hooks & emotive lyrics transcending the oftentimes textural aesthetic.
The Storm Thorgerson-esque visuals that grace the cover may remind fans of Lifeson’s earlier work - Andy Curran explains: “[the] hipgnosis style artwork of albums like ‘Pink Floyd’ & ‘Led Zeppelin’ & others were so eye catching, surreal & attention grabbing & we wanted to scratch that itch. We were instantly drawn to Lebanese photographer Eli Rezkallah at Plastik’s photography & design work. We fell in love with a bunch of his work - we had a hard time choosing something because he had so many great images”. However, the 70’s prog/Rush comparisons may end with the artwork - the music that this ensemble creates treads new ground with each track throughout their 42-minute debut, from industrial/electronic influences on post-progressive soundscapes. Envy Of None create a sound that will haunt, comfort & ignite.