“I like contrast between my albums,” says Stephen Wilkinson aka Bibio. “When I finish an album, I crave doing something different for the next one.”
No more so is this made apparent with Wilkinson hitting a major milestone, releasing his 10th studio album. Over those ten albums he has gracefully glided between electronica, ambient, folk, pop, indie, funk, soul and just about any other sonic avenue he’s decided to turn down. After 2019’s Ribbons, an album he describes as “organic and woody sounding” with a “psych folk vibe”, for BIB10 he decided early on that he wanted to use more synths, drum machines, and electric guitars. “I wanted this album to sound more polished and slick,” he says. “But not ‘software perfect’. My influences for studio production mostly come from the 60s, 70s, and 80s where the craft was very different - getting a more polished sound, without ironing the humanity out of it, was part of the ethos.”
The result is an album heavy in grooves, be them looping guitar licks that lock into hypnotic swirls, buoyant funk beats, silky disco, texture-heavy soul explorations or that uniquely distinct tone that sounds like nobody other than Bibio. The tone here is rich, deep, resonant and conjures up a radiating warmth throughout.